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Illustrasjonsserie inspirert av San Francisco, bestående av Golden Gate Bridge, de ikoniske cable car-vognene og Fisherman’s Wharf. Motivene representerer byens særpreg, historie og energi – fra bratte gater og havneområder til teknologikultur, turisme og innovasjon. Den enkle mørkeblå stilen gir illustrasjonene et tidløst og grafisk uttrykk som knytter San Francisco-serien visuelt sammen

San Francisco 2006

The 2006 seminar was a turning point — not just professionally, but also personally. It was about people, technology, and culture, and how everything is connected. It was the first time I understood how deeply digitalization is affecting the way we think — not just the subject itself, but our lives. Not just a place, like San Francisco, but a "place of mind." Presence.

Day 1

Illustration of a stack of books used as a symbol of knowledge, learning, professional immersion and academic reflection. The motif represents how insight is built layer by layer through experience, research, literature and knowledge sharing – central values in the work of digitalisation, innovation and professional development.

The first day focused on understanding why Silicon Valley became the world’s leading innovation ecosystem. The lecturers provided insight into how collaboration between academia, entrepreneurs and investors created a culture of sharing knowledge and learning from failure. It was the day when theory met practice – and innovation gained a human face.

Day 2

Illustration of a light bulb used as a symbol of idea development, innovation and insight. The motif represents how data, services and customer insight became increasingly important drivers of the digital economy – where technology was not only about systems, but about understanding people, needs and value creation.

The second day in San Francisco showed us how technology and insight are interconnected. This was where we truly began to see the emergence of data-driven innovation – long before terms such as “AI” and “digital twin” became part of everyday language.

Lecturers from IBM, Oracle and the Institute for the Future discussed the relationship between customers, culture and systems. For me, it was a reminder that technology never stands alone – it only works when people share knowledge and trust.

Day 3

Minimalist illustration of a globe used as a symbol of international collaboration, globalisation, knowledge sharing and worldwide digital development. The icon represents how technology, trade, innovation and communication connect people, organisations and societies across national borders. Its timeless design makes the illustration well suited to professional topics relating to international economics, digitalisation and global markets.

The third day focused on open innovation and entrepreneurship. Henry Chesbrough showed how collaboration across companies creates faster development. Jerome Engel pointed out the importance of interdisciplinary teams, while Erik Willums highlighted how capital can actively contribute to growth. It was the day theory became method.

Day 4

Minimalist illustration of a shopping trolley with a shopping bag, used as a symbol of e-commerce, online shopping and the digital customer journey. The icon represents the development of modern commerce, where technology, user experience and accessibility come together to create digital shopping experiences. The illustration has a clean and timeless design suited to professional themes within digitalisation, omnichannel and innovation.

The penultimate day explored how technology, data and customer experience come together in modern commerce.

Craig Stevenson from IBM showed how seamless customer journeys and shared data create competitive advantage, while Dr Kirthi Kalyanam described the growth of e-commerce and “The Long Tail” effect. It was the day when digital strategy became customer strategy.

Day 5

Minimalist illustration of a computer screen used as a symbol of digitalisation, websites, technology and digital user experiences. The icon represents how information, services and communication increasingly take place through digital interfaces and screens. The simple and timeless design makes the illustration suitable for professional themes within web development, e-commerce, innovation and digital transformation.

The final day brought the threads together with Professor Florian Zettelmeyer from UC Berkeley. He showed how data and customer insight are transforming marketing from communication into strategy. The concept of information-intensive marketing described the emergence of today’s data economy – where insight, rather than intuition, drives innovation.

Summary

Illustration of a smartphone used as a symbol of mobile technology, accessibility and digital user experiences. The motif represents how mobile platforms have become a natural part of everyday life, and how services, information and communication must be adapted to people on the go – simple, intuitive and accessible.

Some seminars become just subjects. Others become a turning point. San Francisco 2006 was both.
Over five days, we saw how technology, people and culture merge into a driving force for innovation. Here, innovation was not about ideas alone, but about interaction – between people, knowledge and trust. It was not just a place, but a "place of mind".

Akvarellillustrasjon av det ikoniske hjertemotivet i San Francisco omgitt av palmer og myke kveldstoner. Motivet symboliserer byens åpne innovasjonskultur, kreativitet og mangfold – verdier som har gjort San Francisco og Silicon Valley til globale sentre for entreprenørskap, teknologi og nye ideer.

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Day 1

Akvarellillustrasjon med blått hjerte og San Francisco-symbol brukt for seminarene i Silicon Valley og innovasjon

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Akvarellillustrasjon av historisk skolebygning ved Oslofjorden brukt som symbol på eMarketing, læring og digital utvikling

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